At this year’s Salone del Mobile 2026, Dior Maison is claiming space. Inside Palazzo Landriani, the house drops its latest Corolle lamps, and they hit like design objects with actual presence.
Designed by Noé Duchaufour-Lawrance, the pieces pull from Christian Dior’s 1947 New Look — specifically the Corolle silhouette. But the reference feels dialed in, not nostalgic. It’s about movement, shape, and attitude, translated into lighting that feels sculptural without trying too hard.
The Murano glass versions are where it really lands. Hand-blown, fluid, slightly unpredictable. They echo fabric in motion, like a frozen drape mid-swing. Then you’ve got the bamboo pieces, built through traditional weaving techniques, bringing in that graphic, almost architectural edge. It’s couture language, reworked into something you’d actually want in your space.
The scenography leans immersive, a nod to Dior’s childhood home in Granville, reinterpreted through a more abstract, contemporary lens by Thai artists Korakot Aromdee and Vasana Saima.
Zoom out, and this is Dior Maison doing what it does best: turning heritage into something current, tactile, and highly collectible. These aren’t just Dior lamps. They’re the kind of pieces that sit somewhere between design, fashion, and art, with enough edge to hold their own in any space.
A limited selection will be available at Dior’s Montenapoleone boutique during the week.